randian | 燃点

Can mankind control the uncontrollable? >> Read more

Here, the idea of a “Climate Theatre” as imagined by the British psychologist/mathematician/ meteorologist/physicist Lewis Frye Richardson in 1922 (“Weather Prediction by Numerical Process”) is newly applied to the Caochangdi art district, its contemporary context and dissemination, by the artist Shi Qing. >> Read more

Dao Chau Hai – a solitary wanderer in the endless exile of the mind, searching for a paradise that does not exist. >> Read more

Ran Dian spoke with Henrik Lindberg, CEO, architect and part of the LINDBERG design team. >> Read more

Titled As We May Think, Feedforward, extending this seminal text’s far-reaching ramifications into the artistic domain as a way to reflect on the trajectories of technological advances and their reverberations throughout the social sphere over the past decades, the 6th edition of Guangzhou Triennial seeks to address the multiple implications engendered by such a technologically constructed time-space - in the real and through the virtual - by examining creative endeavors both from geographical purviews and from cosmic prospects in responding to the challenges and opportunities at stake and to think, once again, through a new alliance of visions by humans and nonhumans alike, machines and flesh with equal footing, organic and inorganic hand in hand, an alternative outlook for a new possibility of ecology whereby a retooled humanism may thrive in a Parliament of Things (to borrow a term from Bruno Latour) in symbiosis and reciprocity. >> Read more

Samson Young’s 2018 solo exhibition at Edouard Malingue Gallery (Shanghai) entitled The highway is like a lion’s mouth follows from the English translation of a slogan that is familiar to Hong Kongers. >> Read more

The title, Everything Was Forever, Until it Was No More, is borrowed from Alexei Yurchak’s book of the same name. Yurchak discusses the collapse of the Soviet Union and one particular characteristic that defined it: the sense that although the Soviet system was felt to be permanent and immutable, its demise was at the same time perceived as completely natural. >> Read more

Artists are invited to explore light as a medium for a public art installation >> Read more

Beijing22 is an open, independent, long-term curatorial project, which will investigate the dynamics of Beijing’s urban space in the five years preceding the Olympic Games in 2022. >> Read more

In this lecture, Cecilia WU proposes the first scientific methodology of examining action (body)/perception (sound) mappings and DMI design in the context of EVP from the audience’s perspective. >> Read more